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From the book
The Old Sea Dog at the "Admiral Benbow"
Squire Trelawney, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17-, and go back to the time when my father kept the "Admiral Benbow" inn, and the brown old seaman, with the sabre cut, first took up his lodging under our roof.
I remember him as if it were yesterday, as he came plodding to the inn door, his sea-chest following behind him in a hand-barrow; a tall, strong, heavy, nut-brown man; his tarry pigtail falling over the shoulders of his soiled blue coat; his hands ragged and scarred, with black, broken nails; and the sabre cut across one cheek, a dirty, livid white. I remember him looking round the cove and whistling to himself as he did so, and then breaking out in that old sea-song that he sang so often afterwards:-
"Fifteen men on the dead man's chest-
Yo-ho-ho, and a bottle of rum!"
in the high, old tottering voice that seemed to have been tuned and broken at the capstan bars. Then he rapped on the door with a bit of stick like a handspike that he carried, and when my father appeared, called roughly for a glass of rum. This, when it was brought to him, he drank slowly, like a connoisseur, lingering on the taste, and still looking about him at the cliffs and up at our signboard.
"This is a handy cove," says he, at length; "and a pleasant sittyated grog-shop. Much company, mate?"
My father told him no, very little company, the more was the pity.
"Well, then," said he, "this is the berth for me. Here you, matey," he cried to the man who trundled the barrow; "bring up alongside and help up my chest. I'll stay here a bit," he continued. "I'm a plain man; rum and bacon and eggs is what I want, and that head up there for to watch ships off. What you mought call me? You mought call me captain. Oh, I see what you're at-there;" and he threw down three or four gold pieces on the threshold. "You can tell me when I've worked through that," says he, looking as fierce as a commander.
And, indeed, bad as his clothes were, and coarsely as he spoke, he had none of the appearance of a man who sailed before the mast; but seemed like a mate or skipper, accustomed to be obeyed or to strike. The man who came with the barrow told us the mail had set him down the morning before at the "Royal George;" that he had inquired what inns there were along the coast, and hearing ours well spoken of, I suppose, and described as lonely, had chosen it from the others for his place of residence. And that was all we could learn of our guest.
He was a very silent man by custom. All day he hung round the cove, or upon the cliffs, with a brass telescope; all evening he sat in a corner of the parlour next the fire, and drank rum and water very strong. Mostly he would not speak when spoken to; only look up sudden and fierce, and blow through his nose like a fog-horn; and we and the people who came about our house soon learned to let him be. Every day, when he came back from his stroll, he would ask if any seafaring men had gone by along the road? At first we thought it was the want of company of his own kind that made him ask this question; but at last we began to see he was desirous to avoid them. When a seaman put up at the "Admiral Benbow" (as now and then some did, making by the coast road for Bristol), he would look in at him through the curtained door before he entered the parlour; and he was always sure to be as...
- Take a well-read classic filled with larger-than-life characters and pair it with a master narrator. Voilà--you've got a brand-new classic. Alfred Molina's narration is like pulling up a chair next to a fire on a chilly night and being chilled all over again by Stevenson's tale of piracy on the high seas. Molina's portrayals are perfection. He's a careful observer in his depiction of young Jim Hawkins and just as easily becomes mild-mannered Dr. Livesey, blustery Squire Trelawney, and unctuous, rebellious Long John Silver. Nonstop action and suspense make this a perfect listen for all family members, who may begin to chime in with the many "yo-ho-hos." S.W. Winner of AudioFile Earphones Award (c) AudioFile 2007, Portland, Maine
August 31, 2009
Tim Gregory captures the essence of this classic coming-of-age tale featuring villainous buccaneers, buried treasure, murder, treachery and adventure on the high seas. We follow the exploits of young Jim Hawkins along his voyage for treasure aboard the Hispaniola
to his showdown with the villain Long John Silver on Treasure Island. Gregory introduces a host of uniquely rendered characters, with Silver and his pirates matching wits and weapons with Hawkins and his comrades as they battle for control of Treasure Island and a share of Captain Flint's long lost treasure. Gregory's rendering of the iconic characters—particularly the duplicitous Silver and the marooned and raving Ben Gunn—are nuanced, true to the text and utterly enjoyable. He avoids the easy clichés of the pirate genre and instead portrays complex characters in a performance that will delight listeners of all ages.
- Renowned narrator/storyteller Jim Weiss presents two productions for the younger set. Tell Me a Story! is a collection of adaptations of seven well-known favorites, such as "The Bremen Town Musicians," "Goldilocks," and "The Little Red Hen," that will appeal to listeners in preschool through second grade. Treasure Island is an adaptation of the Stevenson classic, geared more toward older school-age children. Weiss is a talented and deservedly respected narrator. His voice is versatile in reading dialogue and expressive with narration. He infuses his performances with energy, enthusiasm, and expressiveness. Such a talent makes for an enjoyable listening experience for all. M.T.F. (c) AudioFile 2002, Portland, Maine
PublisherPenguin Random House Audio Publishing Group
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